Into the Dream Forest at #NAF18

Forests are hard to photograph. They’ve got all the light and shade, shapes and textures you could want – but trying to get that in a picture and capture the feel of a forest is another story. On Christmas Day last year I took a very wet and slippery walk to Hogsback’s Big Tree. On the way down I paused and took a misty shot looking back up the pathway. That’s the picture which led to this set of six images that will be in my #NAF18 exhibition ‘Metamorphosis’. They’re the Dream Forest series. I realised that if I used a Fine Art Filter in post processing then I could give the misty wetness a dreamlike, evanescent quality.

The picture I’d set out for was of an individual tree – The Big Tree. It towers high over your head and it has got a massive girth. These three wide angle lens pictures of individual Hogsback trees are taken from ground level and that gives them a different quality and scale to the Dream Forest pictures.

All of these pictures, and more, will be in sale at the Johan Carinus Art Centre, Grahamstown throughout the National Arts Festival from June 28 to July 8.

The Big Picture: Unwrapped for #NAF18

Today’s the big day – it’s when I get my large prints back from the framers. I’ve worked on them for a long time but only seen them on the computer screen – and they can be big: 90 cms x 90 cms. I get a glimpse when I carefully unroll them as they come back from the printers.  But I am scared of creasing or marking the surface so once I have checked each print they all get rolled back up again and taken to be mounted and framed.

#NAF18, Metamorphosis, Johan Carinus Art Centre, Grahamstown

The Big Picture: Delivery for #NAF18

Getting them into the house once they’re framed can be fraught with dangers too. The dogs have to be shut away as each piece is carefully navigated up all of the steps from the bottom carport and then round the stoep and finally into my studio. Finding room to unwrap them is like moving tetris pieces as I have over 50 pieces ready for #NAF18. And Kayleigh the cat would just love to sneak in and hide amongst all of the wrappings!

I’ll really enjoy having them around me in the studio for the next three weeks. Then this whole process gets repeated to get everything out of the house and off to my exhibition ‘Metamorphosis’ which is at the Johan Carinus Art Centre for the duration of #NAF18 from June 28th to July 8th.

 

Revealing the Sugarbirds at #NAF18

Opening up a roll of prints takes me straight back to childhood.  It’s the anticipation, the long wait since you finished the post production and uploaded the images to your printer in Port Elizabeth or Cape Town. Then you get the email, they’re done, and you have to wait for the courier to deliver.  24 hour delivery they say but if you are living in Grahamstown that can take anything up to five days.  Then, of course, they might deliver to a neighbour over the road (because you were out) and never bother telling you!

The Sugarbird images are black and white with the birds floating like oriental brushstrokes on a very pale background. I’d selected the Hahnemühle German Etching paper because I wanted a rich texture and as soon as I saw the images catching the late afternoon sunlight I was delighted with the result.

I’ve four Sugarbirds images in Metamorphosis – they’ll be on show thoughout the National Arts Festival (June 28 – 8 July) at the Johan Carinus Arts Centre.

The Sugarbirds Composite

Trees – at Space Creative and Culinary on October 28th

I always like to make a mosaic of the images I’m going to show.  So this first picture’s your overview of the 14 images that’ll be up for sale at Space Creative and Culinary, 14 Fitzroy Street, Grahamstown on 28th October.  They’re almost all pictures of trees: Balanites, Baobab, Birch, Cabbage,  Fig, Fever, Hornbeam, Oak, Shepherd’s and Yellowwood.

Trees Exhibition

The first thing you’ll see is that some of them are naturalistic but others are mirrored or overlaid to show their fractal designs.  The four images on the top row are all single African trees pictured against the sky.  I’ve mounted them simply on card and they’re printed on enhanced matte paper – they sell for R750 each.

In the second row there’s the Fig Tree from the Botanic Gardens in Grahamstown on the left hand side and two Hogback Yellowwoods twining around each other on the right hand side. These two look quite special as they’re printed on brushed aluminium dibond – they’re the most expensive items for sale at R2500 each.

The black and white mirrored image of the Baobabs is between them, it was taken in the Okavango panhandle.  Printed on glossy paper and mounted behind glass with a black wooden frame it’s priced at R1500.

Baobab Temple

Two green mirrored images come next.  Both pictures were taken in Sweden: on the left is an Oak above the Göta River and on the right is a Hornbeam at Tureborg in Uddevalla.  They’re R2000 each, block mounted and printed on enhanced matte paper.

The three images of spiders’ webs were all taken early one misty morning at Tsitsa Falls in the Eastern Cape.  They’re printed on enhanced matte paper and block mounted ready to be hung –  they also sell for R2000 each.

The final two images are the most complex. They repeatedly mirror, overlay and use positive and negative versions of one lone Birch tree that I photographed silhouetted against the deep blue arctic sky at Tromsø in Norway.  They’re also block mounted, enhanced matte images and sell for R2500 each.

 

Symmetry in Nature – free download

I’ve had several requests for hard copies of Symmetry in Nature but unfortunately they’re sold out.  So here’s a decent quality free download: it’s the pdf file of the whole book:

If anyone would like to purchase the high quality pdf of the book (R75) please contact me.

Fractal Dryad

One of the most frustrating things about curating right through the Arts Festival is that I get a lot of inspiration but there’s no time to act on it until quite a bit later.  This year was no exception.  Many people have commented that a lot of my pictures resemble fractals – and I agree with them because they do – but I’ve never set out to make a fractal picture before.  I’ve chosen the pattern that’s found in trees, flowers, seeds and a whole host of other natural phenomena – a Fibonacci spiral of ever smaller images in a theoretically endless sequence. The key thing is that each image in the spiral is the exact replica of the same image at regularly diminishing or increasing scales.

Fractal Dryad

Producing an aesthetically pleasing picture that more or less follows these ideas has been difficult.  The problem is chosing an image that shows the spiralling nature in a dynamic way.  The sequence I’ve made starts at the large image to the bottom of the picture and then rotates up to the top left, across to the top right and on down in a clockwise direction until it spirals out of sight.  The base picture is from my Dryad series: where a mirrored image of a skeletal tree is projected on to Natalie’s back as she stands in front of a screen.

Here’s a screenshot from Wikipedia showing the mathematics that the spiral sequence is based on.

Fibonacci Spiral

I added further copies of the whole picture into the cut-outs of her head so that she appears to be looking out of her own shadowed outline.

Now I’ve finished working this out of my system it will be time for some more photography.  I’m off to Sweden in a couple of weeks time where I’m sure to find some more inspiration from nature.