My solo exhibition – Symmetry – is at the Carinus Arts Centre for the National Arts Festival from 29 June to 9 July 2017. I’ve decided to write a series of posts about the images that are in it so that you can see what it is about. When you walk into the exhibition you’ll immediately pass by the three green men. One of them is so striking that I chose it for the poster and advertising. Here he is.
It’s an image of a Scots Pine tree (tal in Swedish) deep in the forest near our apartment in Äsperöd, Sweden. I’ve mirrored it into two and also overlaid the image on itself. This is the original.
I took the picture one evening last September (early autumn in Sweden) when the light was soft and diffuse. That meant I got an image with lots of detail and I could increase the contrast and saturation in post production to give the final picture more impact.
The Green Man is thought to be a pagan symbol of rebirth – that’s according to Wikipedia anyway – and found in architectural motifs right across Europe. It’s usually a face made of branches, leaves, fruit and vines. That’s certainly the case with the second green man too.
This image’s of an oak (ek) tree showing the first autumn colours and I’ve used the identical processes of mirroring and overlay on it. The foliage is far more dense and so the image is much more richly textured.
I took the original at lunchtime whilst walking in the nature reserve above the Göta River in Trollhättan. Once again I made sure that the light was soft and diffuse. The third green man is a little different. He’s an artefact made of driftwood in Lars Vilk’s amazing construction called Nimis located in Skåne.
I like the way he just stands there with his arms on his hips. There’s something oriental, almost samurai-like, about his presence as though he’s covered in armour. Here’s the original picture. It’s taken with a fish-eye lens from the walkway that tunnels between the towers.
It was an overcast, drizzly October day so I managed to get all three images to complement each other nicely in terms of light conditions.
Stunning work, Roddy. The natural ‘artwork’ of woodland and wild places has been lifted into something new and exciting by your artistic eye, producing a special kind of visual poetry.
Thanks harry – that’s very kind of you to say so!