Starting off with a flash and a bang – 55 days to go to #NAF18

This month certainly started with a bang – we had a spectacular storm last night that’s given me another picture for #NAF18.

Grahamstown, Lightning, #NAF18, Metamorphosis, Night Photography

Autumn Storm over Grahamstown

I shall add it to the three night pictures in the Grahamstown Series I’ve already printed for Metamorphosis. You get such cool colours and effects in night photographs whether it’s a moon rise, car headlights or lightning. But they’re quite tricky to take. Then there’s problem of just how to print them. This time I’ve selected something a little different – Ilford Metallic Gloss.

The prints have a slight metallic sheen with rich contrasts and plenty of detail.  They’ll be on sale at the exhibition and also through my online portal later this month.

The Face of the Exhibition

You must find a dramatic image to publicise your exhibition – that’s what the #NAF18 organisers tell you. This year it was easy because Meagen gave me a photo shoot and we got some really striking images. For the photo shoot I made a set of motifs from tree ferns, branches and lightning that I projected on to her. Meagen struck some amazing poses for me: strong, beautiful and challenging all at once.

Metamorphosis #NAF18 Johan Carinus Art Centre Grahamstown

Meagen Photo Shoot for Metamorphosis

I re-inserted these new images back into the originals I’d worked from. There’s two pictures from the shoot at #NAF18. They’re called The High Priestess and Justice.  Somehow they fitted into the themes of the two Tarot cards.  The High Priestess gazes out from deep within your subconscious, rooted in the natural world.  Justice looks at the past and the present and her many faces reflect all of your past decisions. They’re  new additions to the Symmetry series I showed at last years Arts Festival.

I was extremely fortunate to have a second photo shoot – this time with Natalie who featured in last year’s exhibition – but that must wait for a another post.

 

 

More metal – 71 days to #NAF18

We collected another eight metal prints from Orms Print Room in Cape Town last week. They’re going to be showcased in Metamorphosis, my fringe exhibition at the Johan Carinus Art Centre during the National Arts Festival 2018. The four monochrome prints are pictured here. They’re unusual because they don’t have any white. Instead the brushed aluminium shines through and the grain from the metal gives a great texture.

 

Metamorphosis – 81 days until exhibition opening

Metamorphosis is my theme for this years’s exhibition on the Arts Festival Fringe at the Johan Carinus Art Centre. I’ve got 50+ images and more than 40 are new so with less than three months before opening I’m in constant communication with printers in Cape Town (Orms Print Room) and Port Elizabeth (Walker Digital).

I’m  also really excited about my online store for digital downloads. All of the images from Metamorphosis will be there in low resolution (suitable for web sites) and high resolution (suitable for print) versions. There’ll be an announcement here once it opens for business.

My popular series of Grahamstown landscapes will be a feature in the exhibition and the first batch of these prints have just arrived. I’m using different photographic paper this year:  Hahnemühle German Etching.  I really like the texture and print quality that the paper gives.  You can’t really see that in this slideshow so you’ll just have to come along to the Johan Carinus Art Centre for the full experience!  The exhibition’s open from 9am to 5pm for the duration of the Festival from 28 June to 8 July.

 

 

 

The Three Green Men: Symmetry Exhibition, National Arts Festival 2017

My solo exhibition – Symmetry – is at the Carinus Arts Centre for the National Arts Festival from 29 June to 9 July 2017. I’ve decided to write a series of posts about the images that are in it so that you can see what it is about.  When you walk into the exhibition you’ll immediately pass by the three green men.  One of them is so striking that I chose it for the poster and advertising.  Here he is.

Äsperöd Green Man Final

It’s an image of a Scots Pine tree (tal in Swedish) deep in the forest near our apartment in Äsperöd, Sweden.  I’ve mirrored it into two and also overlaid the image on itself.  This is the original.

Äsperöd Green Man Original

I took the picture one evening last September (early autumn in Sweden) when the light was soft and diffuse.  That meant I got an image with lots of detail and I could increase the contrast and saturation in post production to give the final picture more impact.

The Green Man is thought to be a pagan symbol of rebirth – that’s according to Wikipedia anyway – and found in architectural motifs right across Europe.  It’s usually a face made of branches, leaves, fruit and vines.  That’s certainly the case with the second green man too.

Göta Green Man Final

This image’s of an oak (ek) tree showing the first autumn colours and I’ve used the identical processes of mirroring and overlay on it.  The foliage is far more dense and so the image is much more richly textured.

Göta Green Man Original

I took the original at lunchtime whilst walking in the nature reserve above the Göta River in Trollhättan.  Once again I made sure that the light was soft and diffuse.  The third green man is a little different.  He’s an artefact made of driftwood in Lars Vilk’s amazing construction called Nimis  located in Skåne.

Nimis Green Man Final

I like the way he just stands there with his arms on his hips.  There’s something oriental, almost samurai-like, about his presence as though he’s covered in armour. Here’s the original picture.  It’s taken with a fish-eye lens from the walkway that tunnels between the towers.

Nimis Green Man Original

It was an overcast, drizzly October day so I managed to get all three images to complement each other nicely in terms of light conditions.

Portals Exhibition – the catalogue

The cost of framed and print only copies are given below.  All images are available in digital format at R250/image.

Trees (costs do not include postage and packaging)

Äsperöd Gnarly (900 x 754) R2200 framed (sold); R1350 print

Äsperöd Gnarly

Äsperöd Gnarly

Äsperöd Gnarly Creature (900 x 800) R2300 framed; R1350 print

Äsperöd Gnarly Creature

Äsperöd Gnarly Creature

Aurajoki Runic (643 x 900) R1900 framed (sold); R1150 print

Aurajoki Runic

Aurajoki Runic

Baobab Temple (900 x 378) R1550 framed; R1150 print

Baobab Temple

Baobab Temple

Vresbok Archway (1000 x 759) R2300 framed; R1350 print

Vresbok Archway

Vresbok Archway

Vresbok Avenue (900 x 753) R2200 framed; R1350 print

Vresbok Avenue

Vresbok Avenue

Designs (costs do not include postage and packaging)

Alice in Wonderland (1000 x 1182) R3000 framed; R1550 print

Alice in Wonderland

Alice in Wonderland

Blue Arabesque (900 x 933) R2450 framed; R1400 print

Blue Arabesque

Blue Arabesque

Blue Portal (900 x 1166) R2800 framed; R1500 print

Blue Portal

Blue Portal

Endless Filigree (1100 x 1200) R2650 framed; R1600 print

Endless Filigree

Endless Filigree

Endless Natalie (850 x 875) R2300 framed; R1350 print

Endless Natalie

Endless Natalie

Vresbok Spiders (1050 x 1200) R3250 framed; R1600 print

Vresbok Spiders

Vresbok Spiders

Eyes (costs do not include postage and packaging)

Ancient Eyes (900 x 428) R1700 framed; R1200 print

Ancient Eyes

Ancient Eyes

Natalie Feral (950 x 698) R2150 framed; R1300 print

Natalie Feral

Natalie Feral

Natalie Metallica (1200 x 800) R2450 framed; R1300 print

Natalie Metallica

Natalie Metallica

Skies, Fjords (costs do not include postage and packaging)

Aloe Skyscape (800 x 680) R2000 framed (sold); R1250 print

Aloe Skyscape

Aloe Skyscape

Lindesnäs Fjordscape (900 x 404) R1650 framed (sold); R1200 print

Lindesnäs Fjordscape

Lindesnäs Fjordscape

Okapuka Sunset (1000 x 997) R2750 framed; R1550 print

Okapuka Sunset

Okapuka Sunset

Stendörren Dreamscape (1350 x 529) R2200 x R1350

Stendörren Dreamscape

Stendörren Dreamscape

Contact me if you want to place an order.