A walk in the forests

These pictures go along paths and over bridges, through forests and beside rivers. This isn’t so much a walk as a hop, skip and jump. So we’ll start with the short hop beside the Faluån. It’s not exactly a forest but it’s well wooded with a lovely range of colours and the hint of a bridge in the background.

Autumn colours beside the Faluån

Autumn colours beside the Faluån

Then we skip along to Värmland and the beautiful pathways at Alsters herrgård. They swing along through the gardens, down to the river and then along to Lake Vänern.

Lastly let’s jump into the misty and mythological woodlands, pathways and forests of Bohuslän. All of these pictures are taken around Äsperöd in Uddevalla, within 15 minutes walk of our apartment, so I count myself as extremely fortunate to have such wonderful nature all around me.

 

There really was a lamp hanging in the forest in the last picture, I didn’t put it there …

Autumn Currents

It’s hard not to be drawn to the sublime autumn colours here in Sweden. Then there’s the rivers tumbling downstream full of waterfall foam and loaded with leaves. This set of pictures tries to capture the tranquillity of the waters as they twist and turn, curve and weave on their way through the forests and over the falls.

I used the Live Composite mode again so the foam and leaves make streaks, curves and circles that  show the currents in the rivers.

Riverscape Impressions, Live Composite Photography

Ever since I was a teenager I’ve admired the Impressionists and lately I’ve taken photographs of riverscapes that look very impressionistic. Here’s an example.

A curve in the Bäveån

A curve in the Bäveån

The rushes in the foreground are blurred in motion whilst the river, full of autumn leaves, flows smoothly around the curve behind. The sky overhead is reflected in it and the bank of trees behind completes the composition. I’ll describe at the end just how I used the Live Composite mode on my Olympus to do this. But first some more riverscape impressions.

The second picture’s got similar elements in it. It was taken in windy conditions again so there was the opportunity to capture the grasses and reeds waving in front of the brown flood water. The composition’s different as I was much closer to the grasses and lower down which meant I could get the feel of the river, highlighted by the streaks of the autumn leaves, flowing quickly towards you.

Alstersälven, impression of grasses

Alstersälven, impression of grasses

The third picture is more abstract. The yellow leaves in the river loop and swirl towards you but the top of the picture blurs upwards and away. I moved the camera whilst taking the image to distort the leaf covered river banks and skyline. I think it highlights the rushing flow the river – which was in flood – and gives the impression of the rain and light snow that was falling when I took the picture.

Faluån Impressions

Faluån Impressions

In the next one a strong wind was blowing from right to left. A small promontory of reeds and grasses was bending with the gusts and that separates the picture. The foreground leaves were more or less stationary in the water but the ones in the current proper were going past at speed.

A windy day on the Bäveån

A windy day on the Bäveån

The last picture is the most abstract. It’s taken looking down into the water and it would be difficult to work out what you were looking at if you hadn’t seen the other pictures already. I think it looks like it’s been painted with oils and then the grasses added in with a palette knife.

Bäveån abstract impressions

Bäveån abstract impressions

The pictures were taken with my Olympus camera’s Live Composite mode. It’s usually used to take long exposure shots of astrophotography subjects like star trails or street pictures of car headlights sweeping past you. It works by setting a base exposure (half a second in the case of the pictures here) which is then repeated as often as you wish. The camera adds the changes in each subsequent exposure on to the original image and you can see it happening on the screen. After around two minutes I stopped each picture as it began to spoil the composition.

I’ll be showing more of these in another post. They have really stretched my creativity and it would be great to hear what you think of them.

 

 

 

 

 

 

Sweden in Monochrome

This past few weeks in Sweden I’ve been using my Fujifilm X100F exclusively. It always takes me a while to adjust to new light and compositions and the switch from late winter in South Africa to late summer in Sweden is quite drastic. That’s one reason why I’ve been using monochrome – it’s helped me to capture the light.

When we arrived I opened up my parcel from Fuji with the wide and tele conversion lenses I’d also bought. We went out berry picking on the first weekend to a beautiful location called Karlsbo – it’s about a half hour drive from Falun in Dalarna. I was keen to use the wide angle converter and so I screwed it on to the standard lens and took a lot of pictures that day – this is one of them. It is a vertical panorama of two images one stacked above the other.

Karlsbo Dalarna Fujifilm F100X Monochrome Sweden

Karsbo Panorama, Dalarna

This second picture was taken on the beautiful Bohuslän coast at Ramsvikslandet. It was a stunningly clear day after a major storm had passed through. Everything I was seeing was swept clean. The granite rocks and islands were scraped bare by glaciers and the sky was a clear blue with hardly a cloud. For this picture I used the tele converter so as to zoom in on the cottages at Fykan across the close cropped grass in the foreground.

Fykan Smögen Fujifilm X100F Monochrome Sweden

Fykan, Ramsvikslandet

You couldn’t get much more of a contrast than with this next image. It’s taken late one evening after sunset and it’s a view of the Bäveån that flows through Uddevalla. The river has a series of old mills along its course and this one hunches above a broad sweeping curve with the rapids in the background.

Uddevalla Bäveån Bohuslän Fujifilm F100X Monochrome Sweden

Bäveån Mill Pond, Uddevalla

The last couple of pictures were taken from the outlook above Gustafsberg – it’s has a lovely outlook west over the fjord to the Uddevalla Bron and east to the harbour entrance.

Uddevalla Bohuslän E6 Fujifilm F100X Monochrome Sweden

Uddevalla Bron from Gustafsberg

Uddevalla Gustafsberg Bohuslän Fujifilm F100X Monochrome Sweden

Uddevalla from Gustafsberg

I’m really pleased with the results I’ve got and I hope you’ve enjoyed seeing them.

 

 

 

 

The Three Green Men: Symmetry Exhibition, National Arts Festival 2017

My solo exhibition – Symmetry – is at the Carinus Arts Centre for the National Arts Festival from 29 June to 9 July 2017. I’ve decided to write a series of posts about the images that are in it so that you can see what it is about.  When you walk into the exhibition you’ll immediately pass by the three green men.  One of them is so striking that I chose it for the poster and advertising.  Here he is.

Äsperöd Green Man Final

It’s an image of a Scots Pine tree (tal in Swedish) deep in the forest near our apartment in Äsperöd, Sweden.  I’ve mirrored it into two and also overlaid the image on itself.  This is the original.

Äsperöd Green Man Original

I took the picture one evening last September (early autumn in Sweden) when the light was soft and diffuse.  That meant I got an image with lots of detail and I could increase the contrast and saturation in post production to give the final picture more impact.

The Green Man is thought to be a pagan symbol of rebirth – that’s according to Wikipedia anyway – and found in architectural motifs right across Europe.  It’s usually a face made of branches, leaves, fruit and vines.  That’s certainly the case with the second green man too.

Göta Green Man Final

This image’s of an oak (ek) tree showing the first autumn colours and I’ve used the identical processes of mirroring and overlay on it.  The foliage is far more dense and so the image is much more richly textured.

Göta Green Man Original

I took the original at lunchtime whilst walking in the nature reserve above the Göta River in Trollhättan.  Once again I made sure that the light was soft and diffuse.  The third green man is a little different.  He’s an artefact made of driftwood in Lars Vilk’s amazing construction called Nimis  located in Skåne.

Nimis Green Man Final

I like the way he just stands there with his arms on his hips.  There’s something oriental, almost samurai-like, about his presence as though he’s covered in armour. Here’s the original picture.  It’s taken with a fish-eye lens from the walkway that tunnels between the towers.

Nimis Green Man Original

It was an overcast, drizzly October day so I managed to get all three images to complement each other nicely in terms of light conditions.

Fantasy trees

A couple of weeks ago I posted this picture on Facebook.  It’s one of my favourite trees catching the warm sunshine: full of twisty arching shapes. At the time my good friend Harry Owen said he could see an artwork coming on …. he was right.

Äsperöd Gnarly

Äsperöd Gnarly

I’ve managed to find some time to work with it and I’m pretty happy with these two images. They’re full of mirroring and overlay and to me they’re fantasy works.  This first one overlays an image of the forest floor to give a warm rich texture.

Äsperöd Mushroom Fantasy

Äsperöd Mushroom Fantasy

The second one rotates the trees and the cross processing of the overlaid images gives some amazing blue and red tints.  There’s a completely different feel to it.

Äsperöd Fantasy

Äsperöd Fantasy

This is still a work in progress and hopefully I’ll be putting up more pictures as my ideas develop.