1820 Settlers’ Sunset …

Little did I know when I was finishing work on my exhibition for this year’s #NAF19 that I was previewing the name change debate of the 1820 Settlers’ National Monument. I’ve got a panorama, taken from the cuttings above the N2 bypass, that’s entitled 1820 Settlers’ Sunset. I’ve since been told that it looks apocalyptic.

1820 Settlers Sunset, Grahamstown Makhanda

1820 Settlers’ Sunset

That was before the name change became so topical on social media (Grocott’s Mail is a good place to read about this controversy).

The second picture is an unusual shot taken from inside the Monument building. You have to imagine that you are lying on your back with your head at the base of the giant yellowwood sculpture in the Fountain Court and your feet at the fountain. So you are looking up an inverted cross past the Skotnes murals at the ceiling high above.

Fountain Court, 1820 Settlers National Monument

Fountain Court, 1820 Settlers National Monument

In this picture I’m definitely asking you to see the Monument from a different – and challenging – perspective.

They both look much better framed and on the wall as they are large images. You can see them in my solo exhibition ‘Reflections’ at the Johan Carinus Art Centre, Beaufort Street, 27 June – 7 July.

Old-fashioned contemporary prints of Grahamstown’s Heritage Sites: a preview for #NAF19

There are 70 Heritage Sites in Grahamstown (recently renamed as Makhanda): mostly in the CBD, around the Rhodes campus and in Sunnyside. I’ve been photographing them as they are now but in an antique, or retro, style. So my sepia prints will have students enjoying a glass of wine on the walls of Fort Selwyn or you’ll see the mounds of uncollected rubbish along Bathurst Street. There might be donkey on the pavement in Church Square or Makana Revive at work filling the potholes outside The Cock House.

I’ve printed a small selection of eight views to be part of my exhibition Reflections at #NAF19. The first four are daytime shots. Bartholomew Streetscape and 10 Cross Street are both in the beautifully restored Artificers’ Square. The Grocott & Sherry street scene and view of the Cock House highlight two of the city’s most well known commercial buildings. You’ll see that although the sepia style and bleached look of the photo is old fashioned the content often has something contemporary. 

The four night shots were taken over recent months during the full moon. The moonrise, clouds and dark skies give an interesting backdrop to the pictures. Ironically, I have included the Cathedral (which isn’t a Heritage Site) but the Drostdy Arch, Fort Selwyn and St Barts are all part of the town’s military and ecclesiastical history.

Screenshot of the collection: Grahamstown Heritage Series

Screenshot of the collection

This screenshot will give you an idea of the scope of this series of pictures. My photo exhibition Reflections has over 40 various images in different styles. The sepia prints make up one component but I would like to exhibit 25-30 of them next year. 2020 being the Bicentenary of the 1820 Settlers. The small selection at this year’s Arts Festival is their first public outing.  You can see them at Johan Carinus Art Centre, Beaufort Street, for the duration of the National Arts Festival from June 27 to July 7.

The green wood hoopoes

There’s an Illawarra flame tree just outside my studio window where the green wood hoopoes go fossicking for insects. With the noise they make it’s easy to hear them, pick up the camera and try and get some pictures from the stoop. They don’t keep still for more than a moment or two but they stay in the same tree for quite a while prowling the branches and dipping their tails incessantly. Once their cries reach up to a crescendo they flash off elsewhere.

They have the most striking curved red beaks and rich metallic green and blue feathers. I didn’t manage to get a shot of their distinctive, barred long tail feathers – perhaps next time!

Karoo Light: Sunsets, Storms and Night Skies

Two or three times a year we make the journey west from Grahamstown and into the Karoo – often staying somewhere around Compassberg which at 2504 metres is the highest peak in the Sneeuberg and Karoo. Kate has been working in the area for many years and I’ve gone along too. Sometimes that’s involved some academic work but more often I take my camera out and about. For me as a photographer the Karoo is really grainy: there’s gravel roads, flatlands, thorn scrub on rock outcrops, flat sedimentary ledges in front of rugged mountains, dolerite columns and twisting sandy rivers. All of this under a huge sky with dramatic light – especially when there’s rain (and snow) about.

This slideshow features some of my favourite themes, sunsets, storms and night skies.

There’s a picture of an iconic Karoo wind pump under a stormy sky. The Obelisk below the Milky Way is at Ganora Guest Farm (it marks the sharp turnoff to their self catering cottage). The Karoo Sunset was actually taken from Hogsback, which isn’t in the Karoo, but I was looking due west at the sun setting beyond range after range of Karoo hills. The two Passing Storm pictures were taken approaching (and from within) the Karoo National Park one dramatic afternoon. The last two pictures are of sunsets at Compassberg and the Sneeuberg north of Nieu Bethesda.

I’ve put The Karoo Windpump and The Road to Compassberg in my online store where you can also find plenty of other landscape pictures and my latest exhibition – Metamorphosis.

The Hogsback Series: viewing at Wild Fox Hill Eco-Cabin

This last weekend we hung 14 of the pictures from my Hogsback Series at the Wild Fox Hill Eco-Cabin.  You can see the full series of 17 images (with prices and full descriptions) beneath the slideshow. They are printed on brushed aluminium Dibond by Orms Print Room which gives them great impact. At the end of June they’ll move down to Grahamstown for the duration of the National Arts Festival 2018 where they’ll be showcased in my exhibition ‘Metamorphosis’ at the Johan Carinus Art Centre.  Contact roddyfox@mac.com if you are interested in buying (the prices here don’t include postage) or come and enjoy them during your stay at the cabin (it’s on Airbnb) whilst you are in Hogsback.

 

Madonna and Child Waterfall (297 x 420 mm) R1250

Madonna and Child

39 Steps Waterfall (400 x 400 mm) R1500

39 Steps Waterfall

Swallow Tail Falls (297 x 420 mm) R1250

SwallowTail Falls

The Big Tree (297 x 420 mm) R1250

The Big Tree

Redwood Trees (297 x 420 mm) R1250

Redwoods

Twining Trees (297 x 420 mm) R1250

Twining Trees

Misty Morning View (297 x 420 mm) R1250

Misty Morning View

The Military Path (297 x 420 mm) R1250

The Military Path

Dawn Light over Hogsback (400 x 400 mm) R1500

Dawn Light

Star Trails over Wild Fox Hill (400 x 400 mm) R1500

Star Trails over Wild Fox Hill

Moonrise over the Three Hogs (420 x 297) R1250

Moonrise over the Three Hogs

Tor Doone in the Mist (420 x 297 mm) R1250

Tor Doone in the Mist

Red Hot Pokers (420 x 297 mm) R1250

Red Hot Pokers

Three Hogs and Three Dogs (420 x 297 mm) R1250

Three Hogs and Three Dogs

Dream Forest (420 x 297 mm) R1250

Dream Forest

Misty Road (420 x 297 mm) R1250

Misty Road

Elandsberg Panorama (1000 x 374 mm) R3500

Elandsberg Panorama

 

Grahamstown in Black and White

It’s an unusual place – Grahamstown – located in a basin at the headwaters of the Kowie river. The poor black population in the eastern townships look across to the middle class suburbs on the other side of the valley.  There are not many South African cities where black and white are so closely juxtaposed. I live in Sunnyside, on the south side of town, and our house is quite high up on the side of a hill. A lot of my pictures look down into the valley.  I’m frequently photographing into the light too.  The cathedral is nearby – further down Hill Street – with the northern suburbs lying beyond.  Makana’s Kop is another Grahamstown landmark. It dominates the eastern side of town – across the Belmont Valley.

I wanted a set of black and white pictures so I needed to capture textures and shapes. South African townships are typically laid out on rectangular lines. This makes for clear compositions.  The two pictures here were both taken in winter with low angled light. Before dawn Vukani was wreathed in mist and smoke. I managed to catch the first rays of sunlight cutting across the mists.  Monument to Makana was taken just after a storm had passed at sunset.  Highlights of rain outline the regular street patterns.  The 1820 Settlers Monument is the large rectangular building that lies in the foreground of the picture.

In summer we are likely to get thunderstorms – but many of them drift eastwards past the town.  From the stoep of our house you can see them over the horizon – behind the spire of the Dutch Reformed Church.  Of course some of them do hit the town bringing heavy rain and dramatic lightning.

Off to the north west is the Rhodes University campus.  It’s surrounded by tree lined streets. Some exotic monkey puzzle trees are in the foreground of this picture.  Belmont Valley lies to the south east.  It’s where the Kowie River runs down to the sea. The leafy suburbs shown here are above and below Hill Street. They are beside the old road down to Port Alfred.

The last two pictures are also taken from the south side of town.  They’re higher up – on Mountain Drive – where we take our dog walking.  Both of them are looking right over the bowl containing the old districts of Grahamstown.  The townships have now spread right up Lavender Valley and out on to the plateau at Hooggenoeg.  The mountains on the skyline are the Amatolas.  The last picture is looking north-west – into the semi-arid Karoo. It shows the Winterberg range that is approximately 80 kms away.

There’s a nice selection of my Grahamstown pictures over at my online portal roddythefox.co.za. They’re reasonably priced. All of the pictures were taken with my Olympus OMD EM5 MarkII.  I’ve edited them in Lightroom using the Nik collection of plugins.