A walk in the forests

These pictures go along paths and over bridges, through forests and beside rivers. This isn’t so much a walk as a hop, skip and jump. So we’ll start with the short hop beside the Faluån. It’s not exactly a forest but it’s well wooded with a lovely range of colours and the hint of a bridge in the background.

Autumn colours beside the Faluån

Autumn colours beside the Faluån

Then we skip along to Värmland and the beautiful pathways at Alsters herrgård. They swing along through the gardens, down to the river and then along to Lake Vänern.

Lastly let’s jump into the misty and mythological woodlands, pathways and forests of Bohuslän. All of these pictures are taken around Äsperöd in Uddevalla, within 15 minutes walk of our apartment, so I count myself as extremely fortunate to have such wonderful nature all around me.

 

There really was a lamp hanging in the forest in the last picture, I didn’t put it there …

Autumn Currents

It’s hard not to be drawn to the sublime autumn colours here in Sweden. Then there’s the rivers tumbling downstream full of waterfall foam and loaded with leaves. This set of pictures tries to capture the tranquillity of the waters as they twist and turn, curve and weave on their way through the forests and over the falls.

I used the Live Composite mode again so the foam and leaves make streaks, curves and circles that  show the currents in the rivers.

Riverscape Impressions, Live Composite Photography

Ever since I was a teenager I’ve admired the Impressionists and lately I’ve taken photographs of riverscapes that look very impressionistic. Here’s an example.

A curve in the Bäveån

A curve in the Bäveån

The rushes in the foreground are blurred in motion whilst the river, full of autumn leaves, flows smoothly around the curve behind. The sky overhead is reflected in it and the bank of trees behind completes the composition. I’ll describe at the end just how I used the Live Composite mode on my Olympus to do this. But first some more riverscape impressions.

The second picture’s got similar elements in it. It was taken in windy conditions again so there was the opportunity to capture the grasses and reeds waving in front of the brown flood water. The composition’s different as I was much closer to the grasses and lower down which meant I could get the feel of the river, highlighted by the streaks of the autumn leaves, flowing quickly towards you.

Alstersälven, impression of grasses

Alstersälven, impression of grasses

The third picture is more abstract. The yellow leaves in the river loop and swirl towards you but the top of the picture blurs upwards and away. I moved the camera whilst taking the image to distort the leaf covered river banks and skyline. I think it highlights the rushing flow the river – which was in flood – and gives the impression of the rain and light snow that was falling when I took the picture.

Faluån Impressions

Faluån Impressions

In the next one a strong wind was blowing from right to left. A small promontory of reeds and grasses was bending with the gusts and that separates the picture. The foreground leaves were more or less stationary in the water but the ones in the current proper were going past at speed.

A windy day on the Bäveån

A windy day on the Bäveån

The last picture is the most abstract. It’s taken looking down into the water and it would be difficult to work out what you were looking at if you hadn’t seen the other pictures already. I think it looks like it’s been painted with oils and then the grasses added in with a palette knife.

Bäveån abstract impressions

Bäveån abstract impressions

The pictures were taken with my Olympus camera’s Live Composite mode. It’s usually used to take long exposure shots of astrophotography subjects like star trails or street pictures of car headlights sweeping past you. It works by setting a base exposure (half a second in the case of the pictures here) which is then repeated as often as you wish. The camera adds the changes in each subsequent exposure on to the original image and you can see it happening on the screen. After around two minutes I stopped each picture as it began to spoil the composition.

I’ll be showing more of these in another post. They have really stretched my creativity and it would be great to hear what you think of them.

 

 

 

 

 

 

The Eastern Cape Karoo in black and white

I’ve had such positive responses from my recent blog post on the Karoo that it’s inspired me to put together these ten images. This time all of the pictures are different styles in black and white. They’re taken from Mt Zebra National Park, which is just outside Cradock, along the R61 to Ganora Guest Farm and Compassberg – just before you arrive in Nieu-Bethesda.

I get these rich blacks in the landscapes if I use the wide-angle M.Zuiko 7-14mm lens. It really picks out the contrasts when there are clouds and captures lots of detail and texture in the foreground.

I used the same lens for this view. I love the way that the fence line and clouds pull you into the photograph.

Gate, sheep and sky, Blaauwater Siding, Nieu-Bethesda, Karoo

Gate, sheep and sky, Blaauwater Siding, Nieu-Bethesda

When the sun’s lower then the light often gets much hazier. I’m looking either through or into the light in this next set of pictures.

The next pair of pictures were both taken using a zoom lens (the M.Zuiko 40-150) with full sunlight bathing the focus of the scene.

Lastly I’ve a couple of pictures that I took looking upwards with the body-cap fish-eye lens. That means the sun gets into your picture unless you hide it behind something!

I’d love to get some feedback so let me know what you think!

To the Sneeuberg and Eastern Cape Karoo: studies in brown and blue.

We are having a long drought in the Eastern Cape – it’s only early Spring and already hot after a very dry winter. On the drive up from Grahamstown to Mt Zebra National Park and the Sneeuberg there’s hardly any green vegetation to be seen. The landscape is dominated by browns and blues showing off the textures, the grain of the land, the rocks and thorny bush.

Karoo Skyline from Mt Zebra, Cradock, Karoo

Karoo Skyline from Mt Zebra National Park

On the way north to Cradock there’s a great big Karoo sky above you and the folds and wrinkles of the landscape stretch far into the distance. You get lovely skylines like this one – taken from Mt Zebra’s Black Eagle Hike towards sunset – and you might be lucky enough to be able to sit behind some boulders and quietly watch a baboon troop pass by.

Baboon troop, Mt Zebra National Park

Baboon troop in the golden light of sunset at Mt Zebra National Park

If you take the Kranskop loop in the Park then you leave the throne bush (and monkeys) behind and climb steeply up to get more great views.

Ververt Monkey in the thorn bush, Mt Zebra National Park

Ververt Monkey in the thorn bush, Mt Zebra National Park

Off to the west of the Park the Sneeuberg range stretches away towards Graaff-Reinet and Middelburg.

Sneeuberg Landscape from Mt Zebra, Cradock, Karoo

Sneeuberg Landscape from Mt Zebra National Park

This is the countryside that you will drive through if you go west towards Nieu-Bethesda. My final picture is taken from the lookout where the gravel road crests and you get a view down to Ganora Farm. Nieu-Bethesda lies just beyond the middle range of hills.

Sneeuberg Landscape at Ganora, Nieu-Bethesda, Karoo

Sneeuberg Landscape at Ganora, Nieu-Bethesda

 

King Proteas – four studies

There are some King Proteas blossoming on Mountain Drive at the moment. Though they are not as many as last year – when they seemed to go on flowering for a very long time. As Spring gets nearer the days are getting a little longer so there’s just a bit more time to photograph them. Sunset’s a great time for this. I wanted to make a few studies showing them in different light and these four pictures are what I have got. They were all taken in the early evening – often straight into the light so a lens hood was essential!

When they are fully open you can get the most beautiful pink shades as the sunlight streams through them. Some, however, are almost bleached in colour and the tightly furled buds can also reveal very delicate shades of pink.