MC Escher produced his famous Fish and Scales print in 1950 – at the same time as The Butterflies. And so, following on from my re-imagination of The Butterflies in yesterday’s post, I’ve used the same method to produce the Fish and Scales Topographic Map of South Africa. You should be able to pick out the country’s coastline easily. The north-eastern edge of Escher’s print follows the curves of the Limpopo River whilst in the north-west it follows the Orange. I’d like to think that he would appreciate the playful colouring!
In September and October South Africa began to ease the Covid-19 lockdown restrictions and our local Game Reserves began to open up. We were desperate to get out of town and into the bush so we took advantage of the special offers for residents and had day game drives to Kwandwe and stayed for two nights at Woodbury Tented Camp, Amakhala.
We were treated to spectacular game viewing in beautiful landscapes. It was so nice to get out with the camera again for some nature photography that I’ve put together this little video of our time at Woodbury Tented Camp. We went mid week and so were the only people staying there. I think you’ll agree that it was memorable!
We are having a long drought in the Eastern Cape – it’s only early Spring and already hot after a very dry winter. On the drive up from Grahamstown to Mt Zebra National Park and the Sneeuberg there’s hardly any green vegetation to be seen. The landscape is dominated by browns and blues showing off the textures, the grain of the land, the rocks and thorny bush.
On the way north to Cradock there’s a great big Karoo sky above you and the folds and wrinkles of the landscape stretch far into the distance. You get lovely skylines like this one – taken from Mt Zebra’s Black Eagle Hike towards sunset – and you might be lucky enough to be able to sit behind some boulders and quietly watch a baboon troop pass by.
If you take the Kranskop loop in the Park then you leave the throne bush (and monkeys) behind and climb steeply up to get more great views.
Off to the west of the Park the Sneeuberg range stretches away towards Graaff-Reinet and Middelburg.
This is the countryside that you will drive through if you go west towards Nieu-Bethesda. My final picture is taken from the lookout where the gravel road crests and you get a view down to Ganora Farm. Nieu-Bethesda lies just beyond the middle range of hills.
There are some King Proteas blossoming on Mountain Drive at the moment. Though they are not as many as last year – when they seemed to go on flowering for a very long time. As Spring gets nearer the days are getting a little longer so there’s just a bit more time to photograph them. Sunset’s a great time for this. I wanted to make a few studies showing them in different light and these four pictures are what I have got. They were all taken in the early evening – often straight into the light so a lens hood was essential!
When they are fully open you can get the most beautiful pink shades as the sunlight streams through them. Some, however, are almost bleached in colour and the tightly furled buds can also reveal very delicate shades of pink.
The second post of the Grahamstown heritage sites is a street-scene. There’s no getting away from the new in this picture because there’s a young cyclist front and centre. Behind him Howse Street runs up to the historical core of the city. There’s power lines and street lights leading the eye towards the skyline and the heritage sites silhouetted there.
The Cathedral of St Michael and St George dominates this picture and strangely it isn’t a heritage site: though it is one of the city’s iconic buildings. The buildings that run between the two spires are the backs of the Victorian shops that front on to Church Square. These are all heritage sites: as is the City Hall itself. Later in the series I’ll post some pictures of them as they are architecturally striking.
As usual there’s a bit of a back story to the picture. To get a shot with a passing cyclist I needed to stand in the middle of Beaufort Street – and that’s a busy thoroughfare – mid-way between two sets of traffic lights. So I needed to wait until both sets of lights were on red and there was a gap in the traffic. It meant I dashed out into the road on a number of occasions before I was successful.
Several of this new series will be on display at #NAF19 in my exhibition called ‘Reflections’ at the Carinus Art Centre 27 June – 7 July.
The first post of a new series – Grahamstown Heritage – features the old and the new.
Fort Selwyn lies on Gunfire Hill and it was built for its strategic view over the city below. No great surprise that it’s one of Grahamstown 70 heritage sites. These days it has lost its military importance but it does make a spectacular vantage point. That’s especially true for students who come up from Rhodes University after Friday classes to watch the sunset and then the moonrise. All whilst having an early evening drink or two.
There’s an interesting backstory to this shot. Night photos usually need a daylight reconnaissance. I’d already been to Fort Selwyn at night taking pictures of car headlights trailing across town. That’s when I first saw the students perched on the Fort’s ramparts. But then I had to go back in the daylight and work out how to get high enough to get the students and the town below plus the full moon and all of Fort Selwyn in one shot. I solved it by climbing one of the megaliths that surround the 1820 Settlers National Monument. When I returned that night I brought a stepladder, propped it against the rock, climbed up and installed my tripod. Then I just had to wait for the moon to climb high enough whilst the students enjoyed themselves. There was, of course, plenty of musical accompaniment from the sound systems in the open car doors. Not a soul noticed me, or the ladder, perched on the rock. You can see my shadow in the right foreground as a passing car’s headlights helpfully revealed the foreground of the picture.
I expect to have several of this new series on display at #NAF19. My exhibitions called ‘Reflections’ and I’ll be at the Carinus Art Centre. In the next day or two I’ll have the picture for sale as a print or for downloading over at my store.