One of the things I wanted in the exhibition was a small set of pictures that show off my love of harmony and beauty. The dryad series covers a whole wall and they’re quite dark. So I set about shooting some much lighter pictures with clean lines that can be simply mirrored. I’ve combined them into one mosaic image here but in the exhibition they are four separate pictures.
Three of these pictures are of spiders webs. The water droplets from the early morning mist pick out the graceful shapes of the webs in the cosmos and aloes. I think the lines give nice tension and balance: the backgrounds are very pale because of the mist. I took the pictures one late summer morning at Tsitsa Falls backpackers. The fourth picture is of hornbeam trees in the beautiful forest below Tureborg in Uddevalla, Sweden. In this picture the curved shapes of the tree trunks are balanced by the branches and the shape of the valley sides. It complements the other three pictures nicely even though the subject is different.
This post’s about the Dryad series. They are the seven images that make up almost a quarter of my exhibition – Symmetry – which is at the Carinus Arts Centre for the National Arts Festival from 29 June to 9 July 2017. I wanted to explore what happened when I placed a person into my images – rather than finding a Green Man or a fantastical pattern in them. I did that by projecting some images I’d prepared on to Natalie – she’s the dryad in the shoot – as she stood in front of a screen. When her back’s turned she becomes enigmatic with a big shadow playing across the forest.
Stained Glass Dryad Original
I must say that technically this was really tricky to do. Fortunately the mirrored organic shapes I’d chosen could be draped down her spine and that was really evocative. The next picture’s from the exhibition. It shows the filigree of a tree-like skeleton in/on her dryad body.
Some time later I decided to mirror the dryad images and construct a triptych. The two pictures here have the mirrored dryads on either side of the original.
Stained Glass Dryad
All of the pictures so far have shown a dryad within a scene but I also projected one of my favourite tree images on to her so she became the screen. In Scarab Dryad I love the way the tree branches burst out of her neck whilst a runic scarab perches on her shoulders.
When I made the runic tree image smaller – so that it just fitted in her back – it makes the curved shape of an angel’s wing. You can see there’s a wing on the back of each of the mirrored dryads in the Angel Dryad triptych. The wings reappear as overlays in the original runic tree in the centre. The contrast of the burning wings on the slender body reminds me strongly of William Blake’s etchings.
Lastly I did something quite fantastical. I made Dryad Fantasy by overlaying the runic tree with the Angel Dryads in a multiplicity of mirrored images. So it’s a re-composition of the originals: re-imagined shapes with new patterns and forms.
I wrote about some of these pictures last year when they were still a work in progress. If you are interested there are more pictures and descriptions in these posts.: Triptychs 1: Stained Glass; Triptychs 2: The Figure in the Foreground; Triptychs 3: Angel Wings.
A couple of weeks ago I posted this picture on Facebook. It’s one of my favourite trees catching the warm sunshine: full of twisty arching shapes. At the time my good friend Harry Owen said he could see an artwork coming on …. he was right.
I’ve managed to find some time to work with it and I’m pretty happy with these two images. They’re full of mirroring and overlay and to me they’re fantasy works. This first one overlays an image of the forest floor to give a warm rich texture.
Äsperöd Mushroom Fantasy
The second one rotates the trees and the cross processing of the overlaid images gives some amazing blue and red tints. There’s a completely different feel to it.
This is still a work in progress and hopefully I’ll be putting up more pictures as my ideas develop.