The second post of the Grahamstown heritage sites is a street-scene. There’s no getting away from the new in this picture because there’s a young cyclist front and centre. Behind him Howse Street runs up to the historical core of the city. There’s power lines and street lights leading the eye towards the skyline and the heritage sites silhouetted there.
Passing by Grahamstown’s Heritage Sites: Howse Street
The Cathedral of St Michael and St George dominates this picture and strangely it isn’t a heritage site: though it is one of the city’s iconic buildings. The buildings that run between the two spires are the backs of the Victorian shops that front on to Church Square. These are all heritage sites: as is the City Hall itself. Later in the series I’ll post some pictures of them as they are architecturally striking.
As usual there’s a bit of a back story to the picture. To get a shot with a passing cyclist I needed to stand in the middle of Beaufort Street – and that’s a busy thoroughfare – mid-way between two sets of traffic lights. So I needed to wait until both sets of lights were on red and there was a gap in the traffic. It meant I dashed out into the road on a number of occasions before I was successful.
Several of this new series will be on display at #NAF19 in my exhibition called ‘Reflections’ at the Carinus Art Centre 27 June – 7 July.
The first post of a new series – Grahamstown Heritage – features the old and the new.
Fort Selwyn lies on Gunfire Hill and it was built for its strategic view over the city below. No great surprise that it’s one of Grahamstown 70 heritage sites. These days it has lost its military importance but it does make a spectacular vantage point. That’s especially true for students who come up from Rhodes University after Friday classes to watch the sunset and then the moonrise. All whilst having an early evening drink or two.
Enjoying the moonrise: Rhodes students on Fort Selwyn, Grahamstown (Makhanda)
There’s an interesting backstory to this shot. Night photos usually need a daylight reconnaissance. I’d already been to Fort Selwyn at night taking pictures of car headlights trailing across town. That’s when I first saw the students perched on the Fort’s ramparts. But then I had to go back in the daylight and work out how to get high enough to get the students and the town below plus the full moon and all of Fort Selwyn in one shot. I solved it by climbing one of the megaliths that surround the 1820 Settlers National Monument. When I returned that night I brought a stepladder, propped it against the rock, climbed up and installed my tripod. Then I just had to wait for the moon to climb high enough whilst the students enjoyed themselves. There was, of course, plenty of musical accompaniment from the sound systems in the open car doors. Not a soul noticed me, or the ladder, perched on the rock. You can see my shadow in the right foreground as a passing car’s headlights helpfully revealed the foreground of the picture.
I expect to have several of this new series on display at #NAF19. My exhibitions called ‘Reflections’ and I’ll be at the Carinus Art Centre. In the next day or two I’ll have the picture for sale as a print or for downloading over at my store.
Last Wednesday we were waiting to collect our luggage at Port Elizabeth airport when I got the news on social media that I’d won First Prize (Professional Category) in the WESSA Natural Heritage Photo Competition 2018. I was a bit stunned. That’s partly because we’d been travelling home from Sweden for 27 hours but also I didn’t expect to win. A big thank you to the organisers, judges and Kwandwe Private Game Reserve for their generous First Prize of an overnight stay.
If you’d like to buy a copy there’s a download available over at my online store. Here’s the picture. Its one of the big trees at the top of the zigzags on the Oldenburgia Trail just below the radio masts on Mountain Drive. There’s a lovely patch of afro-montane forest and summer grasses beyond the tree on the shoulder of Featherstone Kloof. I took the picture using a very wide angle lens on my Olympus OMD E-M5MarkII – it was set at 7mm focal length – which is what pulls the clouds down into the frame. It’s a 1/1250 second exposure at F4, ISO was 200. I did a little editing in LightRoom.
As #NAF18 draws closer the 1820 Settlers National Monument gets busier and busier. So I took a chance yesterday that there would still be some peace to make a photo essay of my favourite part of the building – the Fountain Court. It’s quite a challenge being a central atrium that’s several stories deep. There’s natural light spilling in from two sides and down from the top but artificial light on the other two sides. I settled on my tiny 9mm fisheye body cap lens to pull in as much of the space as possible. The rectangular shapes of the famous yellowwood scaffolding sculpture, the many long pillars and banner-like Skotnes murals all help make dramatic shots. The fisheye lens does a great job of curving them round the Millstone Fountain and sunburst roof decoration. There’s a nice selection of my Grahamstown pictures over at roddythefox.co.za.
The N2’s not an easy road and I don’t think many festinos’ would think it’s a delight: but most people will come to #NAF18 along it. Whether from Port Elizabeth or King William’s Town it snakes its way across a whole sequence of deep valleys. I just love the names of the rivers. On the PE side you leave Grahamstown through Howieson’s Poort and must cross the Berg, Palmiet, Assegai, Kariega and Bushman’s before the long dry stretch to the Sunday’s River at Colchester.
N2 by Night: Howieson’s Poort
To the East of Grahamstown it’s across the Belmont Valley you go and over the Kowie River before the long climb up to Governor’s Kop. You’ve still got the Great Fish and Keisakamma to cross before you reach the Buffalo River bridge entering King William’s Town.
N2 by Night: Grahamstown
N2 by Night: Belmont Valley
The N2 at Night makes a good photo essay. From the radio masts on the western end of Mountain Drive you can catch the car headlights coming up Howieson’s Poort. At the toposcope you can look down over the N2 bypass to the town’s lights. Below you is the Port Alfred road and the N2 weaving across the Belmont Valley and up through the cuttings beyond.
The Howieson’s Poort picture is one of this year’s Grahamstown series that I’m showing in Metamorphosis, June 28 – 8 July, at the Johan Carinus Art Centre during #NAF18.
This month certainly started with a bang – we had a spectacular storm last night that’s given me another picture for #NAF18.
Autumn Storm over Grahamstown
I shall add it to the three night pictures in the Grahamstown Series I’ve already printed for Metamorphosis. You get such cool colours and effects in night photographs whether it’s a moon rise, car headlights or lightning. But they’re quite tricky to take. Then there’s problem of just how to print them. This time I’ve selected something a little different – Ilford Metallic Gloss.
Blue Moon over Grahamstown
N2 into Grahamstown
Lightning over Grahamstown
The prints have a slight metallic sheen with rich contrasts and plenty of detail. They’ll be on sale at the exhibition and there’s a nice selection of my Grahamstown pictures over at my online portal roddythefox.co.za.