This past few weeks in Sweden I’ve been using my Fujifilm X100F exclusively. It always takes me a while to adjust to new light and compositions and the switch from late winter in South Africa to late summer in Sweden is quite drastic. That’s one reason why I’ve been using monochrome – it’s helped me to capture the light.
When we arrived I opened up my parcel from Fuji with the wide and tele conversion lenses I’d also bought. We went out berry picking on the first weekend to a beautiful location called Karlsbo – it’s about a half hour drive from Falun in Dalarna. I was keen to use the wide angle converter and so I screwed it on to the standard lens and took a lot of pictures that day – this is one of them. It is a vertical panorama of two images one stacked above the other.
Karsbo Panorama, Dalarna
This second picture was taken on the beautiful Bohuslän coast at Ramsvikslandet. It was a stunningly clear day after a major storm had passed through. Everything I was seeing was swept clean. The granite rocks and islands were scraped bare by glaciers and the sky was a clear blue with hardly a cloud. For this picture I used the tele converter so as to zoom in on the cottages at Fykan across the close cropped grass in the foreground.
You couldn’t get much more of a contrast than with this next image. It’s taken late one evening after sunset and it’s a view of the Bäveån that flows through Uddevalla. The river has a series of old mills along its course and this one hunches above a broad sweeping curve with the rapids in the background.
Bäveån Mill Pond, Uddevalla
The last couple of pictures were taken from the outlook above Gustafsberg – it’s has a lovely outlook west over the fjord to the Uddevalla Bron and east to the harbour entrance.
Uddevalla Bron from Gustafsberg
Uddevalla from Gustafsberg
I’m really pleased with the results I’ve got and I hope you’ve enjoyed seeing them.
Last night Äsperöd had clear skies with a distant Aurora forecast so I headed up the hill after it eventually got dark. I was looking for a band of green on the northern horizon that merges into pinks and purples before the black of the night sky above. Uddevalla city lights put paid to seeing anything low on the horizon but I did manage to capture the soft pinks and purples.
I stayed in a delightful, and tiny, cottage at Lindesnäs on a steep hillside above Byfjorden for a number of autumns. It was a long way from my work in Uddevalla, Sweden, but the tranquility and beautiful landscapes made it a great place for photography.
Cottage at Lindesnäs
September mornings often brought a thick mist before sunrise and as the sun burnt through there were ethereal views of the trees and shoreline. When it was very still the reflections and the mist made the trees and islands below the cottage appear to be floating.
Byfjorden in the mist
In this picture from the Portals exhibition you are almost pulled along into the waterway between the headlands. It is one of the earliest of the images I’m showing at this years’s National Arts Festival.
As well as the northern lights I was able to take some lovely pictures of the stars wheeling across the night skies when I was in Sweden. Hundby is a good place to do this as it is right out in the countryside with very few city lights anywhere near. The first picture is a 45 minute exposure using my Olympus’s live composition feature. It was helped enormously by a car driving past during the shoot that lit up the whole of the foreground. The rising moon behind the trees also casts a lovely glow in the thin clouds.
Hundby 29/09/2015 20:34:34
The second picture is a slightly longer exposure of 50 minutes taken from the viewpoint up above our apartment at Äsperöd. It’s looking due north with the lights of Uddevalla to the west and the row of trees masking the bright lights of Äsperöd. A flask of hot coffee kept me warm whilst taking this shot as it was a cold frosty night.
I have just time enough to visit the three elderly ladies when travelling to work on public transport. There’s a short bus connection at Uddevalla Kampenhoff from getting off the No 5 from Äsperöd and changing to the mainline 860 for Trollhättan. I can walk across to the river where it runs past the Bohuslän museum and greet the ladies.
Sometimes it’s been cloudy and raining, other times there’s been sun, but I always value the tranquility of my short walk. You go past the fruit and flower seller (usually making a purchase if going home) and then along past the avenue of horse chestnuts masking the facade of the bus station before you get to the river.
I rarely take a camera to work and so it’s out with my phone and a quick panoramic shot from the riverbank – being careful not to slip into the river from the wet wooden quay. I’ve got the free app Snapseed on my phone and so I usually edit the picture on the bus. I run the picture through the drama filter and add tonal contrast to get the punchy, vivid and sometimes unreal effects in the pictures.
I think adding a little drama is the least I can do for them. They are currently resting from a summer taking visitors and townspeople to the resorts like Gustafberg down the fjord.
Last night the good aurora forecast tempted me out with my camera but I ended up coming back with pictures of night clouds and star trails. I headed up to a local viewpoint in the forests above Äsperöd with camera, tripod, warm clothes, flask of coffee and a sandwich to wait and see if the aurora would show itself and I could get some pictures. I got some alright but they weren’t of the aurora.
As sunset approached the forecast got less and less optimistic so I tried to capture some star trails over Uddevalla. That wasn’t going to be easy either as it was getting cloudy and windy. Fortunately my new Olympus has a great feature called live composition. Last night I set it to take a 5 second exposure every five seconds for five minutes. The camera then records anything that has changed from one picture to the next. This means that stars make curved trails, planes make diagonal dotted lines (see the first picture) and clouds seem to flow. It’s the clouds that really make these pictures.
The real beauty of live composition is that the picture gets painted on the viewing screen on the back of the camera as each image is added. So you can sit and watch it develop whilst sipping hot coffee. There were, of course, some downsides. The mosquitoes were a nuisance when the wind dropped and walking back through the forest alone in the dark was really spooky. I think the pictures were worth it though. The colours of the clouds and sky were not what I expected. They changed as the sun slid further and further below the horizon and in the last picture the orange tint comes from the lights of the town.