In Tandem: Poetry to Imagery

Just before lockdown I shared a quiet couple of beers with Harry Owen and we talked about trying something new for the Virtual National Arts Festival. Seeing as we had lots of poetry and imagery between us why not collaborate? Here’s a taste of what we have been working on.

Aorta – Harry’s unpublished poem was initially prepared with Coming Home: Poems of the Grahamstown Diaspora in mind. It’s the first one that we worked on and has all of the elements that we have stuck with. There’s a voice-over to a sequence of images followed by the written text of the poem. A soundtrack backing the voice-over is the final strand of what we have put together.

The second piece is from Coming Home. It’s Gillian Rennie’s lovely small poem ‘Bots Aloes’. Harry again is the reader. Coming Home is published in East London by Amitabh Mitra’s The Poets Printery.

The last poem took a while to complete because we really wanted to track down the author – Hannah Armour – to get her reading of ‘Now’. She wrote this when she was ten and eight years have passed since then. It’s published in For Rhino in a Shrinking World: An International Anthology, edited by Harry Owen and published by The Poet’s Printery. Thanks to social media and our network of FaceBook we found her and she kindly gave us the voice-over.

We still have three more In Tandem videos that we are working on. They’re all longer than the ones we have done so far and consequently more complex. Watch this space!

 

Cover Concept for ‘The Cull’

I’ve been working on some cover concepts for Harry Owen’s upcoming collection ‘The Cull: new and resurrected poems’.  It’s taken a while to get to the finished product but now both Harry and Amitabh Mitra, who’s publishing it through the Poets Printery, are very enthusiastic about this one.

The Cull: full cover

The basis for the cover is a picture of Harry taken in front of the fig tree in his Grahamstown garden.

Harry Owen

I wanted to show him literally embedded in nature – that reflects the subject of this collection of poems – and experimented with Adobe Photoshop Mix on my iPad. I selected a couple of pictures from earlier this year when I went to the Maasai Mara and superimposed them over him so that the textures mixed together. Amitabh had suggested that I used some red in the cover so I added a garish sunset as the final layer.

I mirrored the final image so that it could act as both the front and back covers and then added borders and text.

Covers front and back

Covers front and back

We had worked earlier with the same idea but using a landscape image for the front cover – that’s what’s shown in the slideshow here – but rejected that as the book will be in the standard portrait style with dimensions of 3 x 4.

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I really like the way the elephant’s trunk and tusk merge with Harry’s face in this one.  There’s plenty more animals too – giraffes, vultures and a hyena!