Tag Archives: Olympus OMD EM1 II

Days of looking to be there at the right moment …

by

0

“That’s pretty much the life of a National Geographic photographer. Days of looking to be there at the right moment.” Jim Richardson

Jim’s got it right: if you want to get a particular composition, or just the right light, then it can take days of looking and days of waiting. Then you’ve got to get yourself in just the right spot at the right time with the best equipment you have – camera set-up, lens, lens filter, and tripod.

You also need to know your landscape and how it’s lit. If you stand with your back to a Karoo sunset you often have golden light washing over distant mountains. That’s something I’ve wanted to get a good photograph of for a long time. Here’s one from my last shoot.

A golden sunset at Ganora farm

Golden Sunset at Ganora

There’s a second photograph that I’ve worked on many times over the past 10 or 15 years. If you are at Ganora Farm (just outside Nieu Bethesda) and stand looking north towards Compassberg mountain then the sunset is to your left and the light bathes the cliffs and skyline. You can also get lovely colours on the clouds beyond.

The dramatic cliffs of Compassberg at sunset

Compassberg’s cliffs catching the sunset light

Just last month I managed to be there at the right moment for both of these shots. We’d had a dull, hot, overcast afternoon but an hour before sunset a nice rift appeared in the clouds way off to the west. I figured that’s pretty much where the sun would be as it set so I assembled my camera gear and headed to a good vantage point up on the road out of the farm.

One of the reasons I got the pictures I wanted was the lenses I used. It’s the first time I had taken the M.Zuiko 40-150 mm PRO lens with me. I also had the MC-14 telephoto adaptor which enabled me to zoom really close up to the subjects.

I waited for about half an hour keeping an eye out for the sun to drop below the clouds. When it did I shot a picture of the road out from the farm with Compassberg mountain beyond. I used the 12-40 mm PRO lens for this and quickly switched it for the 40-150 mm as I knew the light would change rapidly. Swivelling round so the sun was now behind me I got a couple of really nice pictures of the golden glow on the distant hills and koppies off to the east.

The golden road to Ganora Farm

Golden road at Ganora

The golden light of a Karoo sunset

Golden light at Ganora

Then I walked back over the road for the long exposure shots of the mountain with clouds behind it. These were taken on the tripod using Live Composite base settings of half a second and a second. Each shot was five minutes long – so either 600 for 300 exposures superimposed in the camera.

Sunset colours over Compassberg mountain

Sunset colours over Compassberg

Late sunset colours over Compassberg mountain

Late sunset colours over Compassberg

It had been a pretty intense hour but I was feeling really pleased. It was a nice walk back through the gloaming with the prospect ahead of a cold beer at the braai.

Autumn Currents

by

2

It’s hard not to be drawn to the sublime autumn colours here in Sweden. Then there’s the rivers tumbling downstream full of waterfall foam and loaded with leaves. This set of pictures tries to capture the tranquillity of the waters as they twist and turn, curve and weave on their way through the forests and over the falls.

The parting of the ways
Coming down the river
Curving into autumn
Flood lines on the Bäveån
Sundborn circles
The circle in the forest
Faluån in yellow
Beneath the bridge
The bend on the river

I used the Live Composite mode again so the foam and leaves make streaks, curves and circles that  show the currents in the rivers.

Riverscape Impressions, Live Composite Photography

by

4

Ever since I was a teenager I’ve admired the Impressionists and lately I’ve taken photographs of riverscapes that look very impressionistic. Here’s an example.

A curve in the Bäveån

A curve in the Bäveån

The rushes in the foreground are blurred in motion whilst the river, full of autumn leaves, flows smoothly around the curve behind. The sky overhead is reflected in it and the bank of trees behind completes the composition. I’ll describe at the end just how I used the Live Composite mode on my Olympus to do this. But first some more riverscape impressions.

The second picture’s got similar elements in it. It was taken in windy conditions again so there was the opportunity to capture the grasses and reeds waving in front of the brown flood water. The composition’s different as I was much closer to the grasses and lower down which meant I could get the feel of the river, highlighted by the streaks of the autumn leaves, flowing quickly towards you.

Alstersälven, impression of grasses

Alstersälven, impression of grasses

The third picture is more abstract. The yellow leaves in the river loop and swirl towards you but the top of the picture blurs upwards and away. I moved the camera whilst taking the image to distort the leaf covered river banks and skyline. I think it highlights the rushing flow the river – which was in flood – and gives the impression of the rain and light snow that was falling when I took the picture.

Faluån Impressions

Faluån Impressions

In the next one a strong wind was blowing from right to left. A small promontory of reeds and grasses was bending with the gusts and that separates the picture. The foreground leaves were more or less stationary in the water but the ones in the current proper were going past at speed.

A windy day on the Bäveån

A windy day on the Bäveån

The last picture is the most abstract. It’s taken looking down into the water and it would be difficult to work out what you were looking at if you hadn’t seen the other pictures already. I think it looks like it’s been painted with oils and then the grasses added in with a palette knife.

Bäveån abstract impressions

Bäveån abstract impressions

The pictures were taken with my Olympus camera’s Live Composite mode. It’s usually used to take long exposure shots of astrophotography subjects like star trails or street pictures of car headlights sweeping past you. It works by setting a base exposure (half a second in the case of the pictures here) which is then repeated as often as you wish. The camera adds the changes in each subsequent exposure on to the original image and you can see it happening on the screen. After around two minutes I stopped each picture as it began to spoil the composition.

I’ll be showing more of these in another post. They have really stretched my creativity and it would be great to hear what you think of them.

 

 

 

 

 

 

Off to a flyer at the UCI Road World Championships 2019: Individual Time Trial Elite Men

by

2

So there I was just behind the barrier with a great view of the cyclists who were about to come – one by one – hurtling down the main street in Northallerton at the UCI’s 2019 Road World Championships Time Trial. Yes you have it, a nature photographer (a landscape photographer) about to attempt to get some shots of cyclists belting past at 40-50 km/hr!

I’d decided I would love to pan along with them as they went past to get some background blur. I discovered that a quick burst of the shutter (at 11 frames a second) to get one or two shots worked well – rather as it does for pictures of sugarbirds – but when they were cornering towards you that was really tricky as they went out of focus.

Anyway I was really pleased with the results my Olympus gave me. I was helped by the fact that the cyclists came along at regular intervals, not like the road races we went to in the rest of the week. Here are eleven of the participants in no particular order. The Australian rider Rohan Dennis went on to win it.

Nicolas Castroviejo
Stefan de Bod
Yves Lampaert
Luis Mas Bonet
Rohan Dennis
Victor Campenaerts
Kasper Asgreen
Primoz Roglic
Chad Haga
Jos van Emden
John Archibald

The Eastern Cape Karoo in black and white

by

0

I’ve had such positive responses from my recent blog post on the Karoo that it’s inspired me to put together these ten images. This time all of the pictures are different styles in black and white. They’re taken from Mt Zebra National Park, which is just outside Cradock, along the R61 to Ganora Guest Farm and Compassberg – just before you arrive in Nieu-Bethesda.

I get these rich blacks in the landscapes if I use the wide-angle M.Zuiko 7-14mm lens. It really picks out the contrasts when there are clouds and captures lots of detail and texture in the foreground.

Lone tree, Blaauwater Siding, Nieu-Bethesda
Karoo sheep and water tank, Blaauwater Siding, Nieu-Bethesda

I used the same lens for this view. I love the way that the fence line and clouds pull you into the photograph.

Gate, sheep and sky, Blaauwater Siding, Nieu-Bethesda, Karoo

Gate, sheep and sky, Blaauwater Siding, Nieu-Bethesda

When the sun’s lower then the light often gets much hazier. I’m looking either through or into the light in this next set of pictures.

Compassberg from Witnekpas, Nieu-Bethesda
Karoo skyline north of Mt Zebra National Park
Misty Road, Kranskop Loop, Mt Zebra National Park

The next pair of pictures were both taken using a zoom lens (the M.Zuiko 40-150) with full sunlight bathing the focus of the scene.

Grass and bush at sunset, Black Eagle Hike, Mt Zebra National Park
Karoo roadside view, N9, Middelburg

Lastly I’ve a couple of pictures that I took looking upwards with the body-cap fish-eye lens. That means the sun gets into your picture unless you hide it behind something!

Drought, Blaauwater Siding, Neu-Bethesda
Jointed cactus, Blaauwater Siding, Nieu-Bethesda

I’d love to get some feedback so let me know what you think!

King Proteas – four studies

by

0

There are some King Proteas blossoming on Mountain Drive at the moment. Though they are not as many as last year – when they seemed to go on flowering for a very long time. As Spring gets nearer the days are getting a little longer so there’s just a bit more time to photograph them. Sunset’s a great time for this. I wanted to make a few studies showing them in different light and these four pictures are what I have got. They were all taken in the early evening – often straight into the light so a lens hood was essential!

When they are fully open you can get the most beautiful pink shades as the sunlight streams through them. Some, however, are almost bleached in colour and the tightly furled buds can also reveal very delicate shades of pink.