In Tandem: Poetry to Imagery

Just before lockdown I shared a quiet couple of beers with Harry Owen and we talked about trying something new for the Virtual National Arts Festival. Seeing as we had lots of poetry and imagery between us why not collaborate? Here’s a taste of what we have been working on.

Aorta – Harry’s unpublished poem was initially prepared with Coming Home: Poems of the Grahamstown Diaspora in mind. It’s the first one that we worked on and has all of the elements that we have stuck with. There’s a voice-over to a sequence of images followed by the written text of the poem. A soundtrack backing the voice-over is the final strand of what we have put together.

The second piece is from Coming Home. It’s Gillian Rennie’s lovely small poem ‘Bots Aloes’. Harry again is the reader. Coming Home is published in East London by Amitabh Mitra’s The Poets Printery.

The last poem took a while to complete because we really wanted to track down the author – Hannah Armour – to get her reading of ‘Now’. She wrote this when she was ten and eight years have passed since then. It’s published in For Rhino in a Shrinking World: An International Anthology, edited by Harry Owen and published by The Poet’s Printery. Thanks to social media and our network of FaceBook we found her and she kindly gave us the voice-over.

We still have three more In Tandem videos that we are working on. They’re all longer than the ones we have done so far and consequently more complex. Watch this space!

 

Now by Hannah Armour

One of the most memorable and heart felt poems in Harry Owen’s anthology For Rhino in a Shrinking World was written by 10 year old Hannah Armour. So it was an easy choice to be one of our In Tandem series of video clips for this year’s Virtual National Arts Festival. It’s read here by Harry himself though it would be fantastic if we can find Hannah (who must be around 18 by now and living in the USA) and get her to give us a recording for the voice-over. I’ve chosen the two rhino pictures to complement the poem and that’s the style of all of these clips. There are a sequence of images with a voice over and then the text of the poem. If you know how we can get in touch with Hannah please let us know.

 

 

The Sound of Water: Three Haiku

We missed Reddit’s Poetry last month because of the Covid-19 lockdown so I’ve decided to make this short video clip instead. It’s three haiku with a water theme that I found at The Haiku Foundation’s website. Each of them is overlain on one of my photos of Eastern Cape waterfalls:

  • Wally Swist’s haiku with the Upper Kowie Falls in Featherstone Kloof near Grahamstown;
  • Ron Moss’s haiku with the Madonna and Child Falls at Hogsback;
  • Bashō’s classic haiku with The Upper Tyumie Falls at Hogsback.

I hope you enjoy them.

 

Three classic winter haiku set to snow-scenes on the Faluån, Dalarna

There’s a zen to nature photography and haiku that I’ve wanted to work with for quite a while. So here’s something from me which is rather new. Three snow scenes intended as small dialogues between classic winter haiku and my own photographs. The pictures were taken during last week’s snowy weather and they are of the Faluån – that’s the river that runs through Falun connecting Lakes Varpan and Runn in Dalarna, Sweden. The haiku come from a small website 12 Haiku That Reflect on Zen Buddhism.

There should be no need to say more – but comments and suggestions are welcome.

Trees – a picture and two poems

We will be missing two Poetry at Reddits occasions whilst we are away in Sweden: my contributions are here though.  There are two of WS Merwin’s poems and one of my pictures of Hogback’s trees.  All inspired by Beth Moon’s special book Ancient Trees: Portraits of Time – thank you Kate for the wonderful gift.

Twining Trees at Hogsback

Trees

I am looking at trees

they may be one of the things I will miss

most from the earth

though many of the ones I have seen

already I cannot remember

and though I seldom embrace the ones I see

and have never been able to speak

with one

I listen to them tenderly

their names have never touched them

they have stood round my sleep

and when it was forbidden to climb them

they have carried me in their branches

 

The picture I’ve chosen also reminds me of another of his poems, I think because of the way the trees twine around each other.

 

Separation

Your absence has gone through me

Like thread through a needle.

Everything I do is stitched with its color.

 

Looking forward to our next Reddits in October!

Cover Concept for ‘The Cull’

I’ve been working on some cover concepts for Harry Owen’s upcoming collection ‘The Cull: new and resurrected poems’.  It’s taken a while to get to the finished product but now both Harry and Amitabh Mitra, who’s publishing it through the Poets Printery, are very enthusiastic about this one.

The Cull: full cover

The basis for the cover is a picture of Harry taken in front of the fig tree in his Grahamstown garden.

Harry Owen

I wanted to show him literally embedded in nature – that reflects the subject of this collection of poems – and experimented with Adobe Photoshop Mix on my iPad. I selected a couple of pictures from earlier this year when I went to the Maasai Mara and superimposed them over him so that the textures mixed together. Amitabh had suggested that I used some red in the cover so I added a garish sunset as the final layer.

I mirrored the final image so that it could act as both the front and back covers and then added borders and text.

Covers front and back

Covers front and back

We had worked earlier with the same idea but using a landscape image for the front cover – that’s what’s shown in the slideshow here – but rejected that as the book will be in the standard portrait style with dimensions of 3 x 4.

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I really like the way the elephant’s trunk and tusk merge with Harry’s face in this one.  There’s plenty more animals too – giraffes, vultures and a hyena!