Old-fashioned contemporary prints of Grahamstown’s Heritage Sites: a preview for #NAF19

There are 70 Heritage Sites in Grahamstown (recently renamed as Makhanda): mostly in the CBD, around the Rhodes campus and in Sunnyside. I’ve been photographing them as they are now but in an antique, or retro, style. So my sepia prints will have students enjoying a glass of wine on the walls of Fort Selwyn or you’ll see the mounds of uncollected rubbish along Bathurst Street. There might be donkey on the pavement in Church Square or Makana Revive at work filling the potholes outside The Cock House.

I’ve printed a small selection of eight views to be part of my exhibition Reflections at #NAF19. The first four are daytime shots. Bartholomew Streetscape and 10 Cross Street are both in the beautifully restored Artificers’ Square. The Grocott & Sherry street scene and view of the Cock House highlight two of the city’s most well known commercial buildings. You’ll see that although the sepia style and bleached look of the photo is old fashioned the content often has something contemporary. 

The four night shots were taken over recent months during the full moon. The moonrise, clouds and dark skies give an interesting backdrop to the pictures. Ironically, I have included the Cathedral (which isn’t a Heritage Site) but the Drostdy Arch, Fort Selwyn and St Barts are all part of the town’s military and ecclesiastical history.

Screenshot of the collection: Grahamstown Heritage Series

Screenshot of the collection

This screenshot will give you an idea of the scope of this series of pictures. My photo exhibition Reflections has over 40 various images in different styles. The sepia prints make up one component but I would like to exhibit 25-30 of them next year. 2020 being the Bicentenary of the 1820 Settlers. The small selection at this year’s Arts Festival is their first public outing.  You can see them at Johan Carinus Art Centre, Beaufort Street, for the duration of the National Arts Festival from June 27 to July 7.

Symmetry Series: nude studies and new work at #NAF19

I’ve been making symmetrical images for many years now. Usually of trees, grass, leaves, ferns and clouds – you can see plenty in my Symmetry in Nature book download. Recently I have been making them much more complex by dissolving nude female figures into the composition. Here’s a good example from this years’s #NAF19. It’s called The Three Graces and is a large piece (76 cms x 67 cms). The blog format doesn’t really do it justice but you can see what I mean.

The Three Graces Vaulted #NAF19: Symmetry Study

The Three Graces Vaulted at #NAF19: Symmetry Study

The backdrop is a picture of the ancient milkweed tree at Platbos Forest in the western Cape near Cape Agulhas. I have mirrored it horizontally and vertically to get a vaulted effect. I wanted you to feel the branches stretch overhead as if under the roof of a cathedral.

Platbos Milkwood Dark: Original Study before mirroring

Platbos Milkwood Dark: before mirroring

Then, of course, I needed to have a figure, or figures, to merge into this ethereal background. I wanted a nude female figure that dissolves into the roots, branches and vines. So I set up a photo shoot (with Natalie who I have worked with before) and she posed in front of a screen with a variety of images projected on to her. I used my own mirrored images of ferns, spider webs and – best of all – lightning for this.

Lightning of Grahamstown - Symmetry Template

Lightning over Grahamstown – Symmetry Template

Here’s a short selection from the shoot. You’ll see that Natalie gave me some beautiful shapes to work with. They’re tricky pictures to take as it’s dark with only the projected image for lighting – so shutter speeds were quite slow and ISO settings high.

My favourite images had the lightning and trees draped over her body. I then spent many hours reducing images carefully down to partial figures. These could then be overlaid on to the forest so they looked as though they were dissolving into, or emerging organically out of, a mystical scene. In the end I had three images of her that I used and that’s why the finished artwork is called The Three Graces. It’s so striking that I have two versions of it. I’ve used it for my poster and publicity.

You can see the final two image at my exhibition Reflections in the Johan Carinus Art Centre, Beaufort Street, Grahamstown. We are open from 9 am to 5 pm daily throughout the 2019 National Arts Festival from 27 June to 7 July. If you are interested in purchasing (or having a private viewing) then please contact me at roddyfox@mac.com.

The green wood hoopoes

There’s an Illawarra flame tree just outside my studio window where the green wood hoopoes go fossicking for insects. With the noise they make it’s easy to hear them, pick up the camera and try and get some pictures from the stoop. They don’t keep still for more than a moment or two but they stay in the same tree for quite a while prowling the branches and dipping their tails incessantly. Once their cries reach up to a crescendo they flash off elsewhere.

They have the most striking curved red beaks and rich metallic green and blue feathers. I didn’t manage to get a shot of their distinctive, barred long tail feathers – perhaps next time!

Fingo Village taxi ride: a photo merge

Two of the pictures I’ve taken in the past couple of weeks are merged here. It’s something that I experiment with every now and then and this time I’ve got an interesting result.

Take my picture across the valley, Grahamstown-Makhanda

Fingo Village taxi ride

The first picture in the merge is called Across the Valley. It’s a shot I’ve wanted for quite a while. Taken looking down Wood Street in Fingo Village your eye is drawn immediately across the valley to the leafy suburbs of Fort England and Sunnyside. The 1820 Settlers National Monument and PJ Olivier High School are perched on top of the hills beyond.

Across the valley from Wood Street, Fingo Village, Grahamstown Makhanda

Across the Valley

The second picture was one I took on the fly. I was standing on the corner of Bathurst and High Streets in the town centre taking pictures of the heritage sites when a taxi came cruising past. The conductor called out Take my Picture and so I did. Here he is in typical pose.

Take my picture, corner of Bathurst and High, Grahamstown Makhanda

Take my picture

With the photo merge I combined the two pictures together. So the image still looks across the valley but the taxi (which will take you there) is overlain on top. I use the Luminar photo editing software to achieve this affect.

I also gave the merged image a gritty analogue feel to hark back to the multiple exposures of the pre-digital age.